Flashes of brilliance aren’t enough to save a sleepy, sad script.
Motel Cactus
The Good, The Bad, The Weird
With an abundance of energy, and some incredible cinematography, Kim Jee-Woon brings much-needed life to the Western genre.
A Good Rain Knows
Slow-plodding and sort-of likeable, A Good Rain Knows doesn’t leave much of an impression.
Office
Director Hong Won-Chan’s office-set thriller has some good ideas, but little else.
Cold Eyes
The patience of the direction in Cold Eyes shows that a crime movie doesn’t need constant action sequences to be entertaining
