The Sparring Partner

Ho Cheuk-tin’s debut is a tight, well-written and stylishly-directed legal thriller with two wonderfully unlikeable leads.

The Roundup

Ma Dong-seok punches his way to an inevitable international incident in Lee Sang-yong’s action crime pseudo-comedy.

Organised crime has never been so chaotic in Takashi Miike’s video game adaptation.

No one is happy in Kim Sing-su’s hyper-macho, ultra-grim neo noir.

The eighties are fast but very much not furious in Moon Hyun-sung’s car-driving action spectacle.

Tsui Hark’s semi-classic hasn’t aged as well as it would have liked, but it’s got its charms.

Cultures clash on the streets of Tokyo in one of Takashi Miike’s more subdued gangster thrillers.

Life, like the stock market, is full of ups and downs in Johnnie To’s financial crime drama.

The future sure is yellow in the last of Takashi Miike’s DoA trilogy.

Double crosses, hidden motives and maybe even a sword are all unearthed in Park Jung-bae’s crime caper

Benny Chan ensures he goes out guns blazing in his final theatrical film.

David Lam’s 90-minute commercial for the ICAC is exactly as boring as it sounds.