Small, Slow but Steady

In Sho Miyake’s drama, the bruises we hide are more devastating than the ones we show.

The Sunny of the Street

Home is as ill-defined as it is hard to find in Lau Kok-rui’s thoughtful drama.

A young mother fights to save her child from a blasphemous curse in Kevin Ko’s found footage horror.

Coming out is always difficult, no matter how straight you are, in Perci Intalan’s ridiculous comedy.

Two people, both so different yet similar, struggle to make sense of the future in Crystal Wong’s low-key documentary.

A university student breaks out of her shell and immediately attempts to fly in Masaki Tachibana’s animated drama.

The jokes hurt more than the stabbings in Toichiro Ruto’s manga adaptation

The future is filled with city-destroying plants and battling spider tanks in Ng Yuen Fai’s Hollywood-style action sci-fi.

Motherhood, careers and social expectation clash for one newsreader in Jung Ji-yeon’s tense psycho-thriller.

Selling children is fine if you have good intentions in Hirokazu Kore-eda’s delightful and surprisingly heart-warming drama.

The London Korean Film Festival returns for 2022, and I take a look at the ones to watch

Ho Cheuk-tin’s debut is a tight, well-written and stylishly-directed legal thriller with two wonderfully unlikeable leads.