Forbidden City Cop

Stephen Chow’s period piece sort-of James Bond parody is about as silly as you’d expect, and just as fun.

The Boy and the Heron

A young boy goes through the looking glass and ruffles more than a few feathers in Hayao Miyazaki’s probably-not-final feature.

In Takashi Yamazaki’s new spin on a classic, War is hell, but giant rampaging monsters are even worse.

Everyone's a cat and everyone's a mouse in Lee Hae-young's action spy semi-thriller.

Love blossoms between a woman playing a man and a woman playing a woman playing a man, in Li Han Hsiang’s opera classic.

A street performer balances between being on the king’s good side and the king’s really good side in Lee Joon-ik’s period tragic dramedy.

It’s a mild, mild, mild, mild world when a treasure map to a million ryo is discovered in Sadao Yamanaka’s classic comedy.

The eighties are fast but very much not furious in Moon Hyun-sung’s car-driving action spectacle.

Director Kim Jeong-hoon throws absolutely everything at the wall in his swashbuckling pseudo-sequel.

A travelling bard sings his way to justice in Cho Jung-rae’s musical drama.

Boys rule, girls drool in Corey Yuen and Patrick Leung’s aged-like-milk fantasy.

Stephen Chow does what you’d expect of him except this time he’s a lawyer in Johnnie To’s 1992 legal comedy.