Anchor

Motherhood, careers and social expectation clash for one newsreader in Jung Ji-yeon’s tense psycho-thriller.

Seire

As if raising a child wasn’t stressful enough without ghosts wrecking everything.

Selling children is fine if you have good intentions in Hirokazu Kore-eda’s delightful and surprisingly heart-warming drama.

Two women journey through life, Korea and their own spirituality in Im Kwon-taek’s meditative, thoughtful drama.

Five friends escape to the country, before having to escape from the country in Park Chong-won’s black dramedy.

The London Korean Film Festival returns for 2022, and I take a look at the ones to watch

Ho Cheuk-tin’s debut is a tight, well-written and stylishly-directed legal thriller with two wonderfully unlikeable leads.

Terry Ng’s sickly sweet education-themed romantic melodrama might quote high literature, but certainly hasn’t learnt from it.

In Lou Yi-an’s bleak drama, even save spamming won’t get you a happy ending.

Ma Dong-seok punches his way to an inevitable international incident in Lee Sang-yong’s action crime pseudo-comedy.

A cab driver and his passenger play a game of wits in Kim Joon-ha’s tense short.

The London East Asia Film Festival returns for its seventh edition on October 19th. I take a look at everything that’s on offer.