Come, Come, Come, Upward

Two women journey through life, Korea and their own spirituality in Im Kwon-taek’s meditative, thoughtful drama.

Rainbow Trout

Five friends escape to the country, before having to escape from the country in Park Chong-won’s black dramedy.

The London Korean Film Festival returns for 2022, and I take a look at the ones to watch

Ho Cheuk-tin’s debut is a tight, well-written and stylishly-directed legal thriller with two wonderfully unlikeable leads.

Terry Ng’s sickly sweet education-themed romantic melodrama might quote high literature, but certainly hasn’t learnt from it.

In Lou Yi-an’s bleak drama, even save spamming won’t get you a happy ending.

Ma Dong-seok punches his way to an inevitable international incident in Lee Sang-yong’s action crime pseudo-comedy.

A cab driver and his passenger play a game of wits in Kim Joon-ha’s tense short.

The London East Asia Film Festival returns for its seventh edition on October 19th. I take a look at everything that’s on offer.

Organised crime has never been so chaotic in Takashi Miike’s video game adaptation.

Thank Father that's finally over.

No one is happy in Kim Sing-su’s hyper-macho, ultra-grim neo noir.