Princess Mononoke

Hayao Miyazaki's timeless tale of man versus nature feels like a classic fairy tale, with a few more decapitations.

Ponyo

Everything’s better down where it’s wetter in Hayao Miyazaki’s buckwild pseudo-retelling of The Little Mermaid.

A young boy goes through the looking glass and ruffles more than a few feathers in Hayao Miyazaki’s probably-not-final feature.

Goro Miyazaki uses the Earthsea name, yet fails to wield its power, in his adaptation of Le Guin’s iconic books.

Studio Ghibli’s first foray into CGI is a pale, lifeless imitation of itself.

A young engineer dreams of designing the greatest aircraft in Hayao Miyazaki’s last (*cough*) movie.

In Tomomi Mochizuki’s TV romance, as in life, teenage love can only lead to drama.

Men really are pigs in Hayao Miyazaki’s aviation adventure.

Studio Ghibli’s sophomore effort is pure adventure from start to finish.

Isao Takahata brings us a sweet, unassuming taste of everyday family life in this animated comedy-drama.

Hayao Miyazaki’s fantasy adventure takes flight but never quite stays airborne throughout.

A couple of weird moments do little to hurt this charming rural drama