Bullet in the Head

Hell is both war and other people in John Woo’s epic tragedy.

Where the Wind Blows

In Philip Yung’s historical crime drama, you always pay the price.

In Masato Harada’s crime thriller, revenge is less a dish served cold, and more a never ending buffet of pain.

In Jackie Chan’s sequel, while nothing much happens at least another mall gets destroyed.

Ho Cheuk-tin’s debut is a tight, well-written and stylishly-directed legal thriller with two wonderfully unlikeable leads.

Ma Dong-seok punches his way to an inevitable international incident in Lee Sang-yong’s action crime pseudo-comedy.

Organised crime has never been so chaotic in Takashi Miike’s video game adaptation.

No one is happy in Kim Sing-su’s hyper-macho, ultra-grim neo noir.

The eighties are fast but very much not furious in Moon Hyun-sung’s car-driving action spectacle.

Tsui Hark’s semi-classic hasn’t aged as well as it would have liked, but it’s got its charms.

Cultures clash on the streets of Tokyo in one of Takashi Miike’s more subdued gangster thrillers.

Life, like the stock market, is full of ups and downs in Johnnie To’s financial crime drama.